EP Review: "Bad Timing" by Rhys Lewis




Hey guys!

I don't know about you, but I'm already loving 2018 in this industry.

We're seeing musicians speaking up politically (uhm, hello - how incredible was Stormzy's performance at the Brits?), we get to watch impressive lyric videos (Eminem's "Untouchable" is genius) and all our favourites are touring (remember when I cried at a Paramore show last month?) - long story short: the situation could be worse.

And - spoiler: it's not going downhill.

Tomorrow (if you're reading this on February 22nd), one of house in the sand's favourite acts is releasing his debut EP - and if he isn't one of your favs yet, this will do the last bit of convincing you might need.

So let's check it out, yeah?

Artist: Rhys Lewis
Title: Bad Timing
Genre: Soul, Pop
Label: Decca, Universal Music
Release Date: 23rd February 2018

Rhys Lewis is a singer/songwriter and multi-instrumentalist, originally from Oxford (UK), now based in London (UK).

His sound is influenced by legends such as Carole King, Bill Withers and James Taylor.
Rhys' signature sound is a blend of Soul, Pop and Blues with hints of Rock and Folk here and there.
The diversity of his sounds, paired with his talent for story telling has led to millions of streams on his previously released singles.

Rhys has quickly gained a large following, allowing him to sell out shows in the UK and Europe inbetween support shows for JP Cooper and James TW.

Before he's heading on his second European headline tour in April, Rhys can be seen at SXSW Festival in Austin, Texas (US).

But first he's treating us with his debut EP, "Bad Timing".

So let's check it out!


Tracklist:
1) Bad Timing
2) Reason To Hate You
3) Bloodstains
4) Don't Wanna Believe It (Acoustic)


Opener and title track "Bad Timing" is a timeless and refreshing track.
There's something about the way it is arranged that feels like you've heard it before, like it's an old friend you haven't seen in a while.
But every element in the track offers excitement in the most comforting way. The dark instrumentation acts like a highlighter, intensifying the heavy emotions felt in the situation which Rhys describes with his words.

For "Reason To Hate You", all we hear is Rhys' voice and the electric guitar.
This simplicity could be tragically monotonous to listen to, but it isn't - instead it soaks you in and makes sure you listen to the track with all of your attention.
Maybe it's Rhys' confidence in his writing, maybe it's the universal and relatable heartbreak he's singing about, maybe it's magic.

"Bloodstains" is our personal stand-out track.
It sounds like Soul-Pop music you would've heard in the 60s or 70s somewhere in the States, it's classy but also modern.
The beat is straight forward and marches confidently through the track, the bass is booming through the speakers and will get you on your feet to dance along.
Rhys sings about the addictive feeling you can get in relationships that might not be working out.
Rhys' e-guitar soars in a dirtier and heavier manner than before and it works brilliantly, underlining the frustration we hear in his voice.

To sum it up: Not many four-track EPs can win you over with variety. But Rhys surely found a way to showcase different elements while still keeping the theme of the EP cohesive and meaningful. 

The listeners get to follow him through a journey of emotions and his honesty and vivid storytelling make it so easy to relate to his emotions. 


No matter how hard you try to listen to the instrumentations (and you should try hard because they are brilliant!), you just can't go without mentioning Rhys' warm and expressive vocals that just shine in any set-up - whether that's in a full band situation or during an acoustic performance.
We've said it before and we'll say it again - we can't wait for the debut album.



You should listen to these tracks: Bad Timing, Bloodstains





Rhys Lewis online: Website | Twitter | Facebook | Soundcloud | YouTube | Instagram



More of Rhys Lewis on house in the sand: Video Interview | Song Title Challenge







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Credits // Words: Vanessa Jertschewske | Image: via Universal UK

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